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Vertès also designed ballets for circuses, mainly “because they give him a good opportunity to draw men and women in form-fitting clothes,” explained Willa Gray Martin, in a 1943 interview she did for The Palm Beach Post. In it she describes Vertès as a man who “paints a world of perfumed women.” Maybe so, but they weren’t always innocents. In 1972 Vertès published a book of his “erotic perceptions” for his friends. Impressionistic is how the artist described his work, and it’s true that he was able to capture essential information while leaving room for interpretation. His line seems as quick-witted as he must have been. That might be Vertès himself, in the trench coat with the collar up, walking his chien through le beau Central Park. His meditation on those daily promenades are reprinted below.
At rosy dawn in New York—just as at that blue hour preceding the fall of night—the great garden that is called Central Park is at its most beautiful. The tall houses framing it are no longer skyscrapers but the castles of ghostly giants—unreal and sublimely beautiful. In Central Park, the young girls roller-skate or just sit on the grass. For the young girls of Central Park everything is casual—what they wear, their way of walking, the swing of their shoulders. Everything is casual except their hair, which by contrast is magnificent. Nowhere does one see such hair as in America. Someday a poet will write verses on the Botticelli angels in “jeans”…. The public of the park is charitable. Its generosity in peanuts has transformed the squirrels and pigeons into beggars. Shake a bag of peanuts and one is framed by flying pigeons…like a Biblical character.
In 1947 Vogue published a love letter to Central Park written and illustrated by Marcel Vertès, one of the magazine’s most colorful contributors. Born in Hungary, Vertès served in the First World War before heading to Paris via Vienna. According to Annex Galleries, the budding artist supported himself by making forgeries of the work of Henri de Toulouse-Lautrec. This is highly ironic because in 1953 Vertès won two Academy Awards (for Best Costume and Best Production Design) for his contributions to the movie Moulin Rouge, which was based on the life of the French painter and chronicler of Parisian nightlife. (A year earlier the British Academy gave a joint best costume award to Vertès and Elsa Schiaparelli.) It’s been reported that the burlesque performer Gypsy Lee Rose had a room in her home dedicated to Vertès’s work.
Product detail for this product:
Suitable for Women/Men/Girl/Boy, Fashion 3D digital print drawstring hoodies, long sleeve with big pocket front. It’s a good gift for birthday/Christmas and so on, The real color of the item may be slightly different from the pictures shown on website caused by many factors such as brightness of your monitor and light brightness, The print on the item might be slightly different from pictures for different batch productions, There may be 1-2 cm deviation in different sizes, locations, and stretch of fabrics. Size chart is for reference only, there may be a little difference with what you get.
- Material Type: 35% Cotton – 65% Polyester
- Soft material feels great on your skin and very light
- Features pronounced sleeve cuffs, prominent waistband hem and kangaroo pocket fringes
- Taped neck and shoulders for comfort and style
- Print: Dye-sublimation printing, colors won’t fade or peel
- Wash Care: Recommendation Wash it by hand in below 30-degree water, hang to dry in shade, prohibit bleaching, Low Iron if Necessary
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